“Historically, there's no such thing as a pure tradition. And I also think as human beings, we transcend these religions and we transcend these cultures. And so the cherry picking is an affirmation of our transcendence. It's like, no, you are more than your religious tradition. You are more than your culture. You are more than your body. And you are also your body and your religion and your culture. Yes, yes, yes, all that. But you are also more. So I think, again, the power of the modern period is that we're all so super connected and in communication with everything that we know that, we know that in a way that we didn't know that, you know, four or five-hundred years ago.”

Hi, it’s Elise Loehnen, host of PULLING THE THREAD. Today, it’s just me. I’m sharing five things I’ve been thinking about a lot—from understanding how to quantify and charge for one’s time, what to consider before starting a new creative project, and the art of a gentle no. I’m also answering some of your questions—about judgment, sanity, and the etymology of “should.”

“Turquoise is looking for how do we bring back the village? How do we live in community again? Why are we living in these separate houses? We're not sharing resources. Everyone on the street has a snowblower, a lawnmower, you know, like the design isn't elegant, it's not an elegant design. And so I think the mind of yellow joins into turquoise and as it has studied systems, it contributes to that and we are looking for more holistic, elegant solutions to give birth to a new culture. It's like we can no longer continue down the path. And at turquoise, we are going to have to sacrifice for the whole.”

“When I went back and looked at some of these shows that I loved, I noticed that the writer's room was all adult men with the exception of one or two episodes in Saved by the Bell's case. And I just thought, wow, it is so interesting that we talk about diversity and representation, like yes, of course, who's on the screen matters, but who's in the writer's room and who's telling the stories really matters too, because that's where stereotypes abound. Because those men were not writing Jessie Spano as an example of an actual feminist. She was written as a character from an adult male's response to like second wave feminist stereotypes. And they found that type of woman irritating, so they wrote Jessie as an irritating character. And it just was an interesting thing for me to explore the way I internalized themes from pop culture thinking about who was writing this and when did it contribute to a stereotype versus when did it communicate an authentic experience.”

“[…] the deal is your bodies are going to change over time and people can stay attracted to somebody's body over time, even though it is unrecognizable from what it was like when they first met because that body is the home of a human they adore our attraction to a person's body can be just like superficial something like your toenails are gross, or it can be here is the human whose life I have shared in our home for all these years and like their belly and their bum and their varicose veins and their scar from the surgery that saved their life all of it is so fucking hot because this is my person.”

“Every single human being is a pack animal. That's what we are biologically. We would die if we didn't depend on each other. Saying what you need is a form of connecting with your partner and saying, let's be a team. Can you serve me in this way? Can I trust you to have my back? Because I've got yours. And I want to be there for you. The other thing that people don't realize is that when they ask their partner for something they need, what they're doing is saying to the partner, you are my chosen one. You are my confidant. You are the person I trust more than anybody to be there for me. And the other person may feel very honored by that, actually. What that person is saying is you are trustworthy. You are the person that I know has the strength and the resources to be there for me.”

“I think there's a lot of assumptions in play here that a good body is a thin one, a thin body is achievable, a thin body is achievable for everyone, and that you will be fully in control of your health and your mortality if you're thin, which is also just of course a myth. There are plenty of fat, healthy, happy people, and there are plenty of sadly unhealthy, thin people who should not be regarded as any more or less worthy than a fat person who suffers from a similar health condition. These people should be receiving, in most cases, just the same treatment. And yet, for the fat person who suffers from the same health condition, the prescription is weight loss, whereas for the thin person, they're given often closer to adequate medical care.”

“I think that with regulation, the funny thing is that it's either I want to control the weather around my children, or I want to control my children, but regulation is very much a self thing for adults and a co regulation thing between you and other, especially you and a young person whose brain isn't fully able to self regulate. But if you're so focused on controlling all these outside things that you can't, like the weather, then you get to let yourself off the hook of getting into the much harder, but more possible work of self regulation and of figuring out your own stuff. And all of that has much bigger benefits to your kids, of course, than making the weather perfect around them, but it just is harder. Even though it shouldn't be so easy to change the weather, but it does appear that is what happens, right?”

“How do we center the voices that traditionally and historically we know existed, but were only marginalized in the tradition? And that does feel like holy work. And for me, in part, when I encountered a tradition that was so driven by male stories and male voices, I felt so alienated by it when I first began to encounter it. And I had this moment, which I think lots of women faith leaders have, which is maybe this just isn't for me. I mean, I'm not intended to ever even read these texts, let alone teach these texts. And then I had an awakening where I realized, not only is it meant for me, but I have an obligation. It was waiting for me. It's waiting for me and for so many more people because there's a void until our voices enter this space.”

“If you have a reaction to a stranger or someone in the media or someone in politics or someone who's just providing this kind of blank slate because you don't really know him or her, then it's a projection. And yes, there's often a sensation in the body that's negative. It could be fear, it could be distrust, it could be disgust, right? And then there's the flip side. There's positive projection, which happens in the spiritual universe a lot. When someone is looking for a charismatic leader, then they're going to project their own awakening, their own compassion, their own wisdom onto the leader, the clergy person. So the content of the projection can be anything, what we view as negative, what we view as positive.”