“But one thing the whole “Karen” thing did, which I think was very good, was that it pointed out the existence of spaces Ostensibly open to everyone, but not, and then patrolled often by white women saying you don't belong here. And she got a name, and people with that name wince and rightfully so, but without that wince-worthy kind of situation, I don't think large numbers of Americans would realize that there really is a sort of silent apartheid in our public spaces.”

“What is that instinct that might be asking me to do something really unadvisable or radical or leap outside the bounds of my own life? And that's the space by which I think we move forward in life. And that's the space in which I think we move forward honestly on the page and in writing. And I tell people, you know, what is it that you want to explore in your writing? Like the page is this beautiful opportunity to start taking some big risks, whether it's persona poetry, where you're literally writing in a different voice, or you're naming something that cannot be held in any other space available to you, or you're testing out just an idea that you're not ready to say out loud. The page is this really beautiful field that gives us a lot of courage to then apply that, I think, to our actual lives.”

“You want to find yourself? Give. We're not hungry for what we're not getting. We're hungry for what we're not giving. And then at the same time, you watch this old pattern of guarding what you have and of watching your mother take the leftovers and your mother taking leftover food and taking the piece of cake that broke in half while it was being served and taking the lesser car and taking whatever time is left for her to get her needs met. And so, you know, all truth is a paradox. And that's really what I believe is that I really, really give, but because I'm healing the codependence, I'm healing the self doubt, I'm giving from a place that is abundant because I live in gratitude. I notice how much I have been poured into, crazy love from a number of different directions. And I give that away. I don't give from my place of deprivation.”

“From my perspective, one of the reasons we tell stories is it helps give us a sense of who we are, we use stories to affirm our identity. And that's part of the reason why we don't actually like to call them stories, because if we call them stories, and we begin to see that the self is actually rooted in construction, made up interpreted reality, it can be very threatening to us and to our sense of who would I be without this story. And so that's one of the things that I really love about this is you can begin to see that my sense of self has to change, if I'm willing to look at my stories, what is going to happen is my sense of who I am is going to change.”

“I think historically we have always seen that intergenerational partnership is the way that movements grow and expand and the way people feel resilient about what they're trying to accomplish. The first defeat as a young person, when you feel your morals are on the line, your sense of justice is on the line, that is such a devastating blow and you really need people who've been doing this work for a long time to say, yeah, you're right. That's how that feels. It sucks. It hurts so bad. And this is how, when it happened to me, I got up again and I kept fighting. There is no future for progress without that kind of perspective. You need the fiery engagement of young people and you need the sense of history and the sense of perspective that older people can provide.”

“Part of middle life is that hopefully there's a little bit of wisdom there. And I think that is part of what we gain as we go through this journey of life is that there is wisdom that's accrued, which allows us to exist a little bit more in the complexity and nuance of things. I believe so much of this work is that we have to hold grace and compassion. And we also have to hold ownership and accountability and responsibility. And I feel that way, right? It's like, okay, if there's something that happened in our childhood or something happened in our teenage years, something that happened in our twenties, right? It's hard to process those things really early on. And especially when we're younger and really immature, because the lens is so narrow. I think as we grow and hopefully as we get wiser, that the lens opens.”

“It's important to realize that yes, menopause can come with symptoms, but the symptoms are not alien symptoms. We've seen them before. We've seen them at puberty. We've seen them at pregnancy, if you've been pregnant. We've been there before. And I like to say that menopause is just another tune that we learn to dance to, right? We can do it. We will navigate it. The point is let's make sure that we have the right information, that we understand how it works and that we're aware of the solutions because there are so many women who decide how to navigate menopause based on information that is not unfortunately accurate, it is not up to date. So a lot of decisions are really based on fear rather than facts and then there's regret.”

“Historically, there's no such thing as a pure tradition. And I also think as human beings, we transcend these religions and we transcend these cultures. And so the cherry picking is an affirmation of our transcendence. It's like, no, you are more than your religious tradition. You are more than your culture. You are more than your body. And you are also your body and your religion and your culture. Yes, yes, yes, all that. But you are also more. So I think, again, the power of the modern period is that we're all so super connected and in communication with everything that we know that, we know that in a way that we didn't know that, you know, four or five-hundred years ago.”

Hi, it’s Elise Loehnen, host of PULLING THE THREAD. Today, it’s just me. I’m sharing five things I’ve been thinking about a lot—from understanding how to quantify and charge for one’s time, what to consider before starting a new creative project, and the art of a gentle no. I’m also answering some of your questions—about judgment, sanity, and the etymology of “should.”

“Turquoise is looking for how do we bring back the village? How do we live in community again? Why are we living in these separate houses? We're not sharing resources. Everyone on the street has a snowblower, a lawnmower, you know, like the design isn't elegant, it's not an elegant design. And so I think the mind of yellow joins into turquoise and as it has studied systems, it contributes to that and we are looking for more holistic, elegant solutions to give birth to a new culture. It's like we can no longer continue down the path. And at turquoise, we are going to have to sacrifice for the whole.”

“When I went back and looked at some of these shows that I loved, I noticed that the writer's room was all adult men with the exception of one or two episodes in Saved by the Bell's case. And I just thought, wow, it is so interesting that we talk about diversity and representation, like yes, of course, who's on the screen matters, but who's in the writer's room and who's telling the stories really matters too, because that's where stereotypes abound. Because those men were not writing Jessie Spano as an example of an actual feminist. She was written as a character from an adult male's response to like second wave feminist stereotypes. And they found that type of woman irritating, so they wrote Jessie as an irritating character. And it just was an interesting thing for me to explore the way I internalized themes from pop culture thinking about who was writing this and when did it contribute to a stereotype versus when did it communicate an authentic experience.”

“[…] the deal is your bodies are going to change over time and people can stay attracted to somebody's body over time, even though it is unrecognizable from what it was like when they first met because that body is the home of a human they adore our attraction to a person's body can be just like superficial something like your toenails are gross, or it can be here is the human whose life I have shared in our home for all these years and like their belly and their bum and their varicose veins and their scar from the surgery that saved their life all of it is so fucking hot because this is my person.”

“Every single human being is a pack animal. That's what we are biologically. We would die if we didn't depend on each other. Saying what you need is a form of connecting with your partner and saying, let's be a team. Can you serve me in this way? Can I trust you to have my back? Because I've got yours. And I want to be there for you. The other thing that people don't realize is that when they ask their partner for something they need, what they're doing is saying to the partner, you are my chosen one. You are my confidant. You are the person I trust more than anybody to be there for me. And the other person may feel very honored by that, actually. What that person is saying is you are trustworthy. You are the person that I know has the strength and the resources to be there for me.”

“I think there's a lot of assumptions in play here that a good body is a thin one, a thin body is achievable, a thin body is achievable for everyone, and that you will be fully in control of your health and your mortality if you're thin, which is also just of course a myth. There are plenty of fat, healthy, happy people, and there are plenty of sadly unhealthy, thin people who should not be regarded as any more or less worthy than a fat person who suffers from a similar health condition. These people should be receiving, in most cases, just the same treatment. And yet, for the fat person who suffers from the same health condition, the prescription is weight loss, whereas for the thin person, they're given often closer to adequate medical care.”

“I think that with regulation, the funny thing is that it's either I want to control the weather around my children, or I want to control my children, but regulation is very much a self thing for adults and a co regulation thing between you and other, especially you and a young person whose brain isn't fully able to self regulate. But if you're so focused on controlling all these outside things that you can't, like the weather, then you get to let yourself off the hook of getting into the much harder, but more possible work of self regulation and of figuring out your own stuff. And all of that has much bigger benefits to your kids, of course, than making the weather perfect around them, but it just is harder. Even though it shouldn't be so easy to change the weather, but it does appear that is what happens, right?”

“How do we center the voices that traditionally and historically we know existed, but were only marginalized in the tradition? And that does feel like holy work. And for me, in part, when I encountered a tradition that was so driven by male stories and male voices, I felt so alienated by it when I first began to encounter it. And I had this moment, which I think lots of women faith leaders have, which is maybe this just isn't for me. I mean, I'm not intended to ever even read these texts, let alone teach these texts. And then I had an awakening where I realized, not only is it meant for me, but I have an obligation. It was waiting for me. It's waiting for me and for so many more people because there's a void until our voices enter this space.”

“If you have a reaction to a stranger or someone in the media or someone in politics or someone who's just providing this kind of blank slate because you don't really know him or her, then it's a projection. And yes, there's often a sensation in the body that's negative. It could be fear, it could be distrust, it could be disgust, right? And then there's the flip side. There's positive projection, which happens in the spiritual universe a lot. When someone is looking for a charismatic leader, then they're going to project their own awakening, their own compassion, their own wisdom onto the leader, the clergy person. So the content of the projection can be anything, what we view as negative, what we view as positive.”

Today, it’s just me. I thought I’d round out the year by trying something different, and offering five big things I’ve learned this year.

“Nobody wants to be somebody with a serious substance use problem. Nobody wants to be addicted to a substance. I mean, it doesn't feel good. Dependency doesn't feel good. And we end up in there anyway, right? So I think if we can bring compassion and understanding to, wow, it must really be working in a way that's really powerful for them to keep pursuing it. And then you've got the physical effects of substances, right? So then our bodies physically get dependent, you know, so it starts out as like, it's probably working for an emotional or something in our life and then we become physically dependent on it. And then it's a whole nother host of things in terms of how do you stop it? And people don't fully understand treatment in terms of there's medications available.”

“I think what's interesting about healing, psychological healing, is there's always a narrative that helps. So sometimes when you go to therapy, and you tell a story, and in the story, you locate your despair, and it's a knot, and then with the therapist, you work through the knot, you feel better. And was all the pain really attendant to that knot? Or did you just kind of load up that knot with some of the despair that comes from being alive and then you kind of work through it and that story helps you live life better. And I think that's true also this idea of how we look at the different personality states and we can name them and we can give them ages and it's a story that helps us understand ourselves.”